One of us stays out of it
The hallway, the fumbled ring, the aunt who cries at the wrong line. We shoot the room the way it actually runs, at a distance that lets people forget us. Nothing is staged back into place afterwards.
Halflight. Two columns, one day.
As it happened
The room the way it actually ran. Nobody called back for a second take.
As it felt
The same hour, slowed down. The part you will still be describing in ten years.
Wedding photography, two of us, all day
We photograph both and print them facing each other, so the day you lived and the day you carry sit on one page.
The album
Both columns move together as you scroll. The line between them carries the caption they share. Nothing opens in a lightbox and nothing hides behind a click. The spread is the way you look at it, on a phone and on a wall.
The four plates below are drawn light, not photographs. This site ships with no pictures of anyone in it, because the only wedding photographs that belong here are yours. Drop your frames in at the same two sizes and the treatment carries over on its own.
Her father spoke for ninety seconds and said lucky four times.
Nobody watched the floor. Everybody watched them.
The running order
Some pages hold words. The seam does not mind.
The part nobody photographed
Your mother straightened your collar twice in the hallway and pretended it was the collar.
How it goes
The hallway, the fumbled ring, the aunt who cries at the wrong line. We shoot the room the way it actually runs, at a distance that lets people forget us. Nothing is staged back into place afterwards.
Portraits, hands, the ten minutes we steal after the ceremony. Posed is not a bad word here. It is how you end up with one photograph you are willing to hang in a hallway for thirty years.
Send the date, the place, and the one thing you are worried about. We reply within two working days, and we say no when we are not the right pair of eyes.
Half an hour, call or kitchen table. You look at a full spread, not a highlight reel, and decide whether you want us near you on the day.
[set your retainer] holds it and comes off the total. The balance is due [set your terms]. One page of plain terms, no clauses about mood boards.
A first set within [set your preview window]. The full album, both columns, within [set your delivery window], yours to download and print forever.
Collections
Six hours
from [set your half-day price]
Ten hours, most booked
from [set your whole-day price]
Two days
from [set your weekend price]
Every figure on this page is a bracket, not a rate. Replace the brackets with your own numbers before this site goes anywhere near a real couple.
One wedding, end to end
Fictional couple, drawn plates, labelled on the page
Before you write
The datebook
Four lines is enough. We hold one wedding per weekend, so the date matters more than the detail.
Write directly: hello@halflight.example
Studio: [set your studio phone]
Replies within two working days. Your note is not stored on a server by this site; it goes straight to that address. While you are typing, this browser keeps a draft of the four lines on your own device so a refresh does not lose them, and wipes that draft the moment the note is on its way.